About Irina Brook

Biography

Irina Brook is an internationally acclaimed opera and theatre director known for her bold and innovative productions. Her work in opera has garnered attention at some of the world’s most prestigious venues, with recent highlights including her return to the Wiener Staatsoper for Don Pasquale and to Teatro alla Scala for La Rondine. She recently made her Japanese opera debut with Carmen at the Tokyo Nikikai Opera.

Brook’s opera career began with a successful debut directing Mozart’s Die Zauberflöte for the Nederlandse Reisopera. She has since directed a diverse range of operatic works including Yevgeny Onegin, La Cenerentola and La traviata. Her work at Teatro alla Scala includes Die Sieben Todsünden & Mahagonny-Songspiel and Il matrimonio segreto.

Born in Paris, Irina Brook grew up immersed in the arts, as the daughter of director Peter Brook and actress Natasha Parry. She moved to New York at 16 to study acting with Stella Adler, making her stage debut in Off-Broadway productions before transitioning to directing. Her breakthrough as a director came in London in 1996 with Beast on the Moon, followed by several successful productions including Mrs Klein and All’s Well that Ends Well.

In 2003, she founded Irina’s Dream Theatre in Paris, through which she has toured globally. From 2014 to 2021, she served as Director of Théâtre National de Nice, where she continued to push artistic boundaries and in 2021, she was appointed Artist-in-Residence at Teatro Stabile del Veneto. She was named Artist-in-Residence at Château d’Hardelot’s Elizabethan Globe Theatre in 2023.

Career Timeline

Early Life and Training

  • Born in Paris, daughter of theatre director Peter Brook and actress Natasha Parry.
  • Moved to New York at 18 to study acting with Stella Adler.
  • Made her stage debut in Off-Broadway productions, later performing in theatre and film in Paris and London.

1990s – Breakthrough as Director

  • 1996 – Directorial debut and breakthrough with Beast on the Moon at Battersea Arts Centre, London.
  • Followed by directing Mrs Klein and All’s Well That Ends Well (dates not specified).
  • Returned to France and created a French adaptation, Une Bête sur la Lune, which won five Molière Awards, including Best Director and Best Play (1998).
  • 1998 – Received the Molière Award for Best Director and Best Play.

2000s – Theatre Success and International Recognition

  • 2000 – Awarded the Molière Award for Most Promising Female Talent
  • Produced major stage works with the Théâtre de Vidy (Lausanne), Bobigny, and the Théâtre de l’Atelier (Paris), including:
    • Brecht’s The Good Person of Sezuan
    • Marivaux’s L’Île des Esclaves
    • Juliette et Roméo
  • Founded her own theatre company, Irina’s Dream Theatre, producing and touring pared-down versions of Shakespeare and classics.
    • Her adaptation En Attendant le Songe (a six-actor version of A Midsummer Night’s Dream) toured internationally with over 500 performances.
  • 2002 – Won the Prix Mitrani (FIPA) for her film adaptation of Beast on the Moon.

2000s–2010s – Festival and Opera Work

  • Presented major productions such as such as Ibsen’s Peer Gynt and The Island Trilogy at international festivals including:
    • Salzburg Festival
    • Barbican Centre (London)
    • Spoleto Festival

Opera Direction

  • Debuted in opera with Mozart’s Die Zauberflöte for the Nederlands Reisopera (27 August – 03 September 1999).
  • Directed Tchaikovsky’s Eugene Onegin at the Festival d’Aix-en-Provence.
  • Directed Verdi’s La Traviata at the Opéra de Lille and Teatro Comunale di Bologna (2005).
  • Directed Donizetti’s L’elisir d’amore at the Deutsche Oper Berlin (2014).
  • Directed Rossini’s Cenerentola at the Théâtre des Champs-Élysées — later remounted in Stockholm, Bologna, and Wrocław (2017).
  • Continued collaboration with Théâtre des Champs-Élysées on Giulio Cesare.
  • Directed Donizetti’s Don Pasquale and Britten’s A Midsummer Night’s Dream for the Vienna State Opera (2019)

2010s – Leadership and Innovation

  • 2014–2019 – Appointed Director of the Théâtre National de Nice, becoming its first female director.
  • Introduced eco-theatre initiatives, inspired by COP21 (2015).

2020s – Experimental and New Works

  • 2020 – Premiered House of Us, an interdisciplinary research piece at Teatro Biondo, Palermo, based on her mother and a life in theatre.
  • 2021 – Developed House of Us further in Venice, produced by the Goldoni Theatre, presented at the Tre Oci Museum (Giudecca).
  • Later in 2021, returned to Palermo to direct Seagull Dreams, her adaptation of Chekhov’s The Seagull.
  • 2022 – Named Artist-in-Residence at Château d’Hardelot’s Elizabethan Globe Theatre (Boulogne), where she created a new version of King Lear, titled LEAR?.

Recent Opera Projects

  • Recent years (2020s) – Directed multiple productions for Teatro alla Scala (Milan), including:
    • Il Matrimonio Segreto
    • La Rondine
    • A filmed version of Brecht–Weill’s The Seven Deadly Sins / Mahagonny.
  • January 2025 – Made her Japanese opera debut with Carmen at Tokyo Nikikai Opera.
  • May 2025 – Returns to La Scala for the world premiere of a Brecht–Weill triple bill, conducted by Riccardo Chailly

Honours and Awards

  • 1998 – Molière Awards for Une Bête sur la Lune (Best Director, Best Play).
  • 2000 – Molière Award for Most Promising Female Talent.
  • 2002 – Prix Mitrani (FIPA) for Beast on the Moon film adaptation.
  • Awarded the Chevalier and Officier de l’Ordre des Arts et des Lettres (dates unspecified).
  • 2023 – Promoted to Commandeur de l’Ordre des Arts et des Lettres, France’s highest cultural honour.